Estranged from Sight, 2024. wood, steel, glazed ceramic, reading. Installation view at Jan van Eyck Academy. Maastricht, Netherlands. 2024

Oh Hintergrund, tell me where to go now, 2024. Installation view at 'A Home for Something Unknow' at Neue Berliner Kunstverein (n.b.k.). Berlin, Germany 2024

A Desatadora (series), 2022. Print on acetate, silk paper, thread, framed. Installation view at die Möglichkeit einer Insel (Berlin Art Prize), 2022. Photo: Mizuki Kin

Estranged from Sight, 2024. Installation view at Jan van Eyck Academy. Maastricht, Netherlands. 2024

Estranged from Sight, 2024. wood, steel, glazed ceramic, reading
I was under the impression of an imminent ending, 2024. Paper, steel, wood, 120 x 90 cm
She is so bright away from the big city lights. Night escape, homebound, veil. Two distances
from the same luminous skin. First of shapes. Kaguya’s calling, 2024 Steel, variable dimensions

Oh Hintergrund, tell me where to go now, 2024. Installation view at 'A Home for
Something Unknow' at Neue Berliner Kunstverein (n.b.k.). Berlin, Germany 2024

Still Men #1, 2023. Glazed ceramic tiles, wood. 150 x 120 cm 

Sleep and Death (Rasse und Schönheit), 2021. glazed ceramic tiles on wood structure, water, steel. Installation view at die Möglichkeit einer Insel (Berlin Art Prize), 2022. Photo: Mizuki Kin

A Desatadora (Lilia), 2022. Print on acetate, silk paper, thread, framed. 40 x 34 cm

A Desatadora (Ana), 2022. Print on acetate, silk paper, thread, framed. 40 x 34 cm

O Sapato do Mestre, Masthaharage sapattu (the Master’s Shoes), 2021. video, sound, 9:30 min. exhibition views at Die Möglichkeit einer Insel (Berlin Art Prize), Berlin, 2022. Photo: Mizuki Kin

Deságua (River Empty), 2022. Glazed ceramic tiles, wood. 20 murals. 150 x 120 cm each. Installation view at OPENART Biennial. Örebro, Sweden 2022

The Nine Halves Cat (storyboard), 2023. Mixed media. Commissioned by TAXISPALAIS Kunsthalle Tirol for Ich bin anders, weil ich kann das. Stranger belongs to me. Exhibition view, TAXISPALAIS Kunsthalle Tirol, Innscbrück, Austria 2023. Photo: Günter Kresser

to give animated figures the impression of movement, 2023. glazed ceramics, wood.
Installation view at Jan van Eyck Academy. Maastricht, Netherlands. 2024

The Nine Halves Cat (storyboard), 2023. Mixed media. Commissioned by TAXISPALAIS
Kunsthalle Tirol for Ich bin anders, weil ich kann das. Stranger belongs to me. 
Exhibition view, TAXISPALAIS Kunsthalle Tirol, Innscbrück, Austria 2023. Photo: Günter Kresser

 

Read Before the Fire, 2020. Exhibition at Kunstverein Grafschaft Bentheim, Neuenhaus, Germany, 2020. Photo: Volker Crone

Trocadouro (they saw it last), 2020. 15 wood frames, bookbinding mull, acrylic paint, wheels.
210 x 90 x 4 cm each

Cover (Something Newly Missing), 2020. Sound, record, score

Hand Dialogue (after Kollwitz, after Clark), 2019. Glazed ceramic tiles. Tunnel's inner walls: 10 x 2,5m each. Permanent Installation view in Bremen, Germany, 2019. Photos: Jens Weyers

Os Desorientes da Pantera, 2021. Glazed ceramic tiles, wooden panels, performance. 860 x 145 x 70 cm (catwalk). Exhibition view at Park Platz, Berlinische Galerie, Berlin, Germany 2021. Photo: Mizuki Kin

Os Desorientes da Pantera, 2021. Glazed ceramic tiles, wooden panels, performance by CFGNY. 860 x 145 x 70 cm (catwalk). Exhibition view at Park Platz, Berlinische Galerie, Berlin, Germany 2021. Photo: Mizuki Kin

Os sons deles ecoando entre eu e você, 2017. Acrylic paint on ceramic tiles, wooden structure. 500 x 250 x 60 cm. Exhibition view at Schwules Museum*, Berlin, Germany, 2017. Photos: Daniel Weigel

After David, 2018/24. ink on embossed paper, 75 x 60 cm. Installation view at Jan van Eyck Academy. Maastricht, Netherlands, 2024 

Marginal Blues, 2020. Unfired glaze on ceramic tiles, wood structure, sound (by Pedro Oliveira). 13 panels 100 x 80 cm each / instalation variable dimensions. Exhibition view at Espace 3353, Geneva, Switzerland, 2020.

From the beginning of the sea, 2020. Unfired glaze on ceramic tiles. 100 x 80 cm. 

In the direction of the sky, 2020. Unfired glaze on ceramic tiles. 100 x 80 cm. 

Manuscript, 2015. 170 x 80 cm. Exhibition view at Weserburg, Bremen, Germany 2015. 

Sleep and Death (Rasse und Schönheit), 2021.
glazed ceramic tiles on wood structure. 144 x 125 cm each

I was under the impression of movement, 2024. Paper, steel, wood. 120 x 90 cm

I was under the impression there was something between us, 2024. Paper, steel, wood. 120 x 90 cm

.

A Desatadora (Rosângela), 2022. Print on acetate, silk paper, thread, framed. 40 x 34 cm

 Still Men, 2023. Glazed ceramic tiles, wood. 20 murals. 150 x 120 cm each.
Installation view at Künstlerhaus Bethanien. Berlin, Germany 2023

Sleep and Death (Rasse und Schönheit), 2021. glazed ceramic tiles on wood structure, water. 144 x 125 cm each. Installation view at Bärenzwinger, 2021. Berlin, Germany

Cover (Something Newly Missing), 2020. Sound, record, score

#

Lucas Odahara

Built with Berta.me